Kathline Carr
Accumulative Gesture
Kathline Carr’s work explores landscape as both physical terrain and psychological experience, translating walking, memory, and observation into layered abstractions. Her paintings and works on paper move between representation and dissolution, where mountains, glaciers, and geological forms become structures for emotional and perceptual inquiry.
Through process-based mark-making and material experimentation, she builds images that hover between real and imagined environments.
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Selected Works
Each work is a one-of-a-kind, developed through layered, process-based mark-making. Click individual works for details or purchase.
UNDER CONSTRUCTION
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Available works typically range from $XXX–$X,XXX.
About the Work
Carr works across oil painting, drawing, printmaking, and mixed-media processes, often building surfaces through repetition, layering, and accumulative gesture. Her practice is grounded in direct observation of natural environments—particularly mountainous, forested, and glacial landscapes—which she then transforms into abstracted visual systems.
Rather than depicting specific sites, she reconstructs the feeling and structure of place. Fields of marks, tonal shifts, and fragmented forms suggest movement through terrain, shifting weather systems, or geological time. Her compositions often balance control and dissolution, where image and surface continually reconfigure one another.
Across media, Carr’s work investigates how landscape is internalized—how physical space becomes memory, emotion, and pattern. Each piece functions as both record and reinterpretation, shaped by a sustained engagement with process, repetition, and material change.
Biography
Kathline Carr is an American visual artist and writer based in the Berkshires. Her practice spans painting, printmaking, drawing, and hybrid text-based work, often rooted in explorations of landscape, ecology, and perception. She holds an MFA in Visual Arts from The Art Institute of Boston at Lesley University and a BFA in Creative Writing with concentrations in Visual Arts and Feminist Philosophy from Goddard College. In addition to her visual practice, Carr is the author of Miraculum Monstrum (Red Hen Press, 2017), which received the Clarissa Dalloway Book Prize from A Room of Her Own Foundation. Carr’s work has been supported by organizations including the Berkshire Taconic Community Foundation and Assets for Artists, and she has exhibited widely throughout New England, New York, and Canada.
Inquiries
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