My current bodies of work, the DNA series, and Evolve series, speak to issues of environmental concern, such as global warming and genetic food modification. In the DNA series I use DNA sequences as a base layer to provide both visual patterning and symbolic reference. The images layered on top of the code offer an open narrative. The paintings and constructions are built on visual and symbolic associations, and the obscuring, deconstructing, and preserving of images in wax helps me to address a complex and shifting relationship between man, his biological roots, and the shaping of our natural environment. The Evolve series departs from the more cognitive aspects of my work and employs the organic and playful nature of wax to render dramatic, mysterious, and meditative landscapes.